Lee is survived by his daughter, Joanie, and a younger brother who also worked in comics, Larry Lieber
Los Angeles: Stan Lee, the creative dynamo who revolutionized the comic book and helped make billions for Hollywood by introducing human frailties in Marvel superheroes such as Spider-Man, the Fantastic Four and the Incredible Hulk, died Monday. He was 95.
Lee was declared dead at Cedars-Sinai Medical Center in Los Angeles, according to Kirk Schenck, an attorney for Lee’s daughter, J.C. Lee.
As the top writer at Marvel Comics and later as its publisher, Lee was widely considered the architect of the contemporary comic book. He revived the industry in the 1960s by offering the costumes and action craved by younger readers while insisting on sophisticated plots, college-level dialogue, satire, science fiction, even philosophy.
Millions responded to the unlikely mix of realistic fantasy, and many of his characters, including Spider-Man, the Hulk and X-Men went on to become stars of blockbuster films. He won the National Medal of Arts in 2008.
Lee considered the comic-book medium an art form and he was prolific: By some accounts, he came up with a new comic book every day for 10 years. “I wrote so many I don’t even know. I wrote either hundreds or thousands of them,” he told The Associated Press in 2006.
He hit his stride in the 1960s when he brought the Fantastic Four, the Hulk, Spider-Man, Iron Man and numerous others to life. “It was like there was something in the air. I couldn’t do anything wrong,” he said.
His heroes, meanwhile, were a far cry from virtuous do-gooders such as rival DC Comics’ Superman.
The Fantastic Four fought with each other. Spider-Man was goaded into superhero work by his alter ego, Peter Parker, who suffered from unrequited crushes, money problems and dandruff. The Silver Surfer, an alien doomed to wander Earth’s atmosphere, waxed about the woeful nature of man. The Hulk was marked by self-loathing. Daredevil was blind and Iron Man had a weak heart.
Some of Lee’s creations became symbols of social change — the inner turmoil of Spider-Man represented ’60s America, for example, while The Black Panther and The Savage She-Hulk mirrored the travails of minorities and women.
Lee scripted most of Marvel’s superhero comics himself during the ’60s, including the Avengers and the X-Men, two of the most enduring. In 1972, he became Marvel’s publisher and editorial director; four years later, 72 million copies of Spider-Man were sold.
Stanley Martin Lieber was born Dec. 28, 1922, in New York. He grew up a fan of “Hardy Boys” adventure books and Errol Flynn movies, and got a job at Timely Comics after graduating from high school.
His early work largely reflected popular movies — westerns, crime dramas, romance, whatever was the rage at the time. He worked for about 50 cents per page.
Comics in the 1950s were the subject of Senate hearings pushed by the Comics Code Authority, which frowned on gore and characters that questioned authority. Major comic book companies adopted the code as a form of self-regulation to avoid sanctions.
Lee said he was also working for a publisher who considered comics as fare only for children.
The result was the first issue of “The Fantastic Four,” in 1960, with the characters, plot and text from Lee and the illustrations by famed Marvel artist Jack Kirby.
The characters were normal people changed into reluctant superheroes through no fault of their own.
Writing in “Origins of Marvel Comics,” Lee described the quartet this way: “The characters would be the kind of characters I could personally relate to; they’d be flesh and blood, they’d have their faults and foibles, they’d be fallible and feisty and — most important of all — inside their colorful, costumed booties they’d still have feet of clay.”
“The Amazing Spider-Man” followed in 1962 and before long, Marvel Comics was an industry behemoth.
Lee moved to Los Angeles in 1981 to head Marvel Productions, an animation studio that was later purchased, along with Marvel Comics, for $50 million by New World Entertainment.
As sales of comics declined, Marvel was forced into bankruptcy proceedings that meant it had to void a lifetime contract prohibiting Lee from working for anyone else. Lee later sued Marvel for $10 million, saying the company cheated him out of millions in profits from movies based on his characters.
In 2000, Lee agreed to write stories for DC Comics, reinventing Superman, Batman, Wonder Woman and other signature characters for Marvel’s one-time rival. DC Vice President and Publisher Paul Levitz had nothing but praise when the agreement was made.
“With his artistic collaborators at Marvel, Stan co-created the richest imaginary universe a single comics writer has ever built,” he said.
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