IAS Niyaz Khan’s latest book: 'Brahmin The Great Part-2' calls for radical change and criticizes bollywood

By Nancy TiwariFirst Published Aug 1, 2024, 4:09 PM IST
Highlights

Niyaz Khan’s new book, 'Brahmin The Great' Part-2, proposes radical changes including replacing democracy with Dharmatantra, elevating Brahmins, and featuring cows on currency, sparking controversy.

The much-debated second part of Niyaz Khan’s book series, *Brahmin The Great*, has been released, igniting fresh controversy with its provocative themes and assertions. Known for his strong advocacy of Sanatan Dharma and controversial religious commentary, IAS officer Niyaz Khan delves deep into his beliefs in this new installment, *War Against Kaliyug*, the tenth novel in the series.

In War Against Kaliyug, Khan presents a vision for India dominated by Sanatan principles, where Brahmins hold ultimate authority. According to Khan, Bollywood is depicted as an adversary of Sanatan Dharma, suggesting that it should be eliminated and its artists purified by Brahmins. He controversially proposes that love and affection should be criminalized, claiming these emotions contribute to societal immorality.

Khan’s vision extends beyond cultural critique. He advocates for a radical overhaul of India’s political and societal structures. The book suggests replacing the current democratic system with a 'Dharmatantra,' which merges religious and democratic principles. Under this proposed system, Brahmins would assume crucial roles as magistrates, educators, and advisors to the highest offices of government. The Parliament would operate under the guidance of Sanatan leaders, fundamentally reshaping the legislative process.

Furthermore, the book proposes that the cow be revered as the most sacred animal, with its image featured on the nation's currency and coins. Traditional Indian attire would replace Western clothing, and stringent punishments would be enforced for practices such as untouchability and corruption. The Brahmins would be mandated to don traditional garments like dhoti, kurta, and khadau, and maintain specific religious symbols such as the janeu and shikha.

Niyaz Khan’s latest work has already stirred considerable debate, reaffirming his controversial stance and challenging existing socio-political norms.
 

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